katosvanidze18851907’s diary

知恵袋、okwaveで質問した回答したものをコピーして載せるだけのブログ。書いた文章は 自分の財産なので。つまりはこのブログは記録する倉庫の役割り。アクセス数やランキングは付録なので興味はない。物事、この世の深淵、本質、真理とは? 全ては知識と文章能力が解決してくれる 知識を付けて盲点を無くしていけば、。ゴールは現状の外に。 現状の外にゴールを作れば未来の記憶が作られるが、現状の内側にゴールを設定すれば、我々は過去にしばれる、過去 の延長線上を生きることに 過去からの脱するに未来に対してイメージ、臨場感を

宮崎駿の作品精神、哲学は、 3.アニメは児童文学を表現する媒体として認識し、 何らかの社会的な道徳、 何かを教える媒体(寓話的な)として 社会的な変革の精神を植え付ける等にアニメを 作り続けている? (世界、日本唯一の農民作家の宮沢賢治や 共産主義の社会的なリアリズムにも似た精神で)

以下の1.2.3の私の宮崎駿についての認識の利点欠点限界盲点とは?


引退する理由は、

1.高齢で机に座ってはいられない

歳を取り、好奇心が薄れた為、

作品を作る必要性を感じなかった為?


2、紙のアニメにこだわり、デジタルに移行できない


宮崎駿の作品精神、哲学は、

3.アニメは児童文学を表現する媒体として認識し、

何らかの社会的な道徳、

何かを教える媒体(寓話的な)として

社会的な変革の精神を植え付ける等にアニメを

作り続けている?

(世界、日本唯一の農民作家の宮沢賢治

共産主義の社会的なリアリズムにも似た精神で)


劇画ではなく、空想的なファンタジーを好む傾向が

あるのは、アニメはファンタジーであるとの信念がある為なのか?児童文学の影響なのか?



4.皆さんにとって、宮崎駿とは?

宮崎駿の利点欠点限界盲点とは?


アニメ、社会カテゴリー皆さんの

ご回答のほど、

お待ちしております。


https://ja.m.wikipedia.org/wiki/宮崎駿

宮﨑 駿(みやざき はやお、1941年1月5日 - )は、日本の映画監督、アニメーター、漫画家。別名として秋津 三朗(あきつ さぶろう)、照樹 務(てれこむ)がある。映画などのクレジットタイトルでは宮崎 駿(みやざき はやお)と表記されることもある。


https://en.wikipedia.org/wiki/Hayao_Miyazaki

Hayao Miyazaki (Japanese: 宮崎 駿 Hepburn: Miyazaki Hayao, born January 5, 1941) is a Japanese film director, producer, screenwriter, animator, author, and manga artist. A co-founder of Studio Ghibli, a film and animation studio, he has attained international acclaim as a masterful storyteller and as a maker of anime feature films, and is widely regarded as one of the greatest animation directors.

Born in Bunkyō, Tokyo, Miyazaki expressed interest in manga and animation from an early age, and he joined Toei Animation in 1963. During his early years at Toei Animation he worked as an in-between artist and later collaborated with director Isao Takahata. Notable films to which Miyazaki contributed at Toei include Doggie March and Gulliver's Travels Beyond the Moon. He provided key animation to other films at Toei, such as Puss in Boots and Animal Treasure Island, before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I alongside Takahata. After moving to Zuiyō Eizō (later known as Nippon Animation) in 1973, Miyazaki worked as an animator on World Masterpiece Theater, and directed the television series Future Boy Conan. He joined Telecom Animation Film in 1979 to direct his first feature films, The Castle of Cagliostro in 1979 and Nausicaä of the Valley of the Wind in 1984, as well as the television series Sherlock Hound.

Miyazaki co-founded Studio Ghibli in 1985. He directed several films with Ghibli, including Castle in the Sky in 1986, My Neighbor Totoro in 1988, Kiki's Delivery Service in 1989, and Porco Rosso in 1992. The films were met with commercial and critical success in Japan. Miyazaki's film Princess Mononoke was the first animated film to win the Japan Academy Prize for Picture of the Year, and briefly became the highest-grossing film in Japan following its release in 1997;[a] its distribution to the Western world greatly increased Ghibli's popularity and influence outside Japan. His 2001 film Spirited Away became the highest-grossing film in Japanese history, winning the Academy Award for Best Animated Feature at the 75th Academy Awards and considered among the greatest animation films of all time. Miyazaki's later films—Howl's Moving Castle, Ponyo, and The Wind Rises—also enjoyed commercial and critical success. Following the release of The Wind Rises, Miyazaki announced his retirement from feature films. He returned to work on a new feature film in 2016.


Miyazaki's works are characterized by the recurrence of progressive themes, such as humanity's relationship with nature and technology, and the difficulty of maintaining a pacifist ethic. His films' protagonists are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities. Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in November 2012, and received the Academy Honorary Award for his impact on animation and cinema in November 2014. In 2002, American film critic Roger Ebertsuggested that Miyazaki may be the best animation filmmaker in history, praising the depth and artistry of his films.[2]